tag:blogger.com,1999:blog-55952242229038847722024-03-05T07:28:16.293-08:00Lifting The Curtainparabasishttp://www.blogger.com/profile/12476856869466695694noreply@blogger.comBlogger14125tag:blogger.com,1999:blog-5595224222903884772.post-78207628081088695352007-07-26T08:08:00.000-07:002007-07-26T08:36:05.233-07:00Thought it was time for me to share.<div><span style="font-family:georgia;">In our meeting Clay, you said that you and Isaac wanted to do something different, so I have been trying to ignore the stage directions (thinking of them as suggestions, not absolutes), and this is where I am right now:<br /><br />My main concept is the fragile nature of beauty, that something can look beautiful and in reality be something horrific. The idea of the beautiful painted tapestries for the sets, which are the fuel for the pyre, the gorgeous theatre which was built so poorly that it became the coffin for 72 people that night.<br /><br />I would like the victims of the fire to show they were victims – I would like them to be burnt. Makeup distorting their appearances, nothing too graphic or haunted house cheesy, a light hand will be needed to create a subtle but terrifying image. This is a fine line I realize, I definitely don’t want to “hit the audience over the head” with this, I just don’t want them to forget that these people were burned alive.<br /><br />In our meeting Clay, you mentioned you wanted the audience to be aware of themselves and their environment, to re-evaluate their surroundings, wonder about and question their safety and security. I think the way I can do this is by showing the effects the fire and smoke would’ve had on the clothing and the bodies.<br /><br />I like the idea that Clay mentioned, that this is the story the ghosts tell to themselves when everyone else goes home and I would like the clothing to reflect this. This means period clothing for everyone, and they should all show signs of wear, especially for the victims. </span></div><div><span style="font-family:georgia;">I love the idea that the clothing looks like it is dry rotting on the actors, it would be a challenge to create this look without the clothing actually falling apart – I realize it does have to last the run of the show. :) </span></div><div><br /></div><span style="font-family:georgia;"><div>The fabric used in this period really lends itself to the phantasmic and spectral aspects of the show. It was mostly lightweight muslins and linens, with layers of semi-sheer fabrics. I want the dresses to be lightweight and ethereal, cobweb like. I dont want them to be heavy or too costumey.<br /><br />I have a few logistical questions. Knowing these will really help me in fleshing everything out. Will we see the parents, or are they just voices off stage? I also would like to know if we have an actor for the role of carpenter, since no one was cast for it, also, are children in the show (there should be 3) or are the roles of the children played by the actors? I also have questions about the bleeding nun, how is that going to be staged?? I would also like to know if there is an intermission planned. </div><div><br /></div><div></div><div>Here are a few of the images that I’ve collected:</div><div><br /></span></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP1pHJXtOu5-jZswPz4eZVkFEGne-7u4xlWsJMGPIh8ETx3K-GLupkPawMvw_s8iibo4zg6FZMjZrHwpH-JfXAnGR1X3K0K8DoPKgQtmcdNIAuqVuj8lFIPh8JC-nsCUyNZMETyRqw-1A/s1600-h/leonor+fini.jpg"><img id="BLOGGER_PHOTO_ID_5091524384295923394" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP1pHJXtOu5-jZswPz4eZVkFEGne-7u4xlWsJMGPIh8ETx3K-GLupkPawMvw_s8iibo4zg6FZMjZrHwpH-JfXAnGR1X3K0K8DoPKgQtmcdNIAuqVuj8lFIPh8JC-nsCUyNZMETyRqw-1A/s320/leonor+fini.jpg" border="0" /></a> I love the melty - burning feeling of this painting by Leonor Fini.<div> </div><div> </div><div> </div><div> </div>Here are two burned/melted faces, the first is from Frances Bacon Head and the second didnt have the artist listed. They are obviously too dramatic - but both are compelling.<img id="BLOGGER_PHOTO_ID_5091525011361148626" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixAPjdOf9dtkhtFhKixZcAKuTKm6OcbbAosfgHJfxv2pwRHj2aFLE2V72ZbrVol6cikmDq1qzJxJqlrdChWO_3GfQNUOFA5VSSaiKKXC9dRpW7U-rISw680gmw2MxvDemj4xa55DuFxGY/s320/Francis+Bacon+head.jpg" border="0" /><br /><br /><br /><img id="BLOGGER_PHOTO_ID_5091525015656115938" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjES7HqnhB1N226HoH-i1fM33TYF8cuV3Gv1k5ZECPonlf0uLPtsZ6MZsW7KdFl5RLO1McIufS8cB-tH3O1aXA_ut4xco1UW2bbtnzv3dxMVJsQXHvGBEwlnHywIigArHIDhgZxQoZia5M/s320/burn+illustration.jpg" border="0" /><br /><br /><br />This photo of a clematis by Joyce Tenneson really evokes the "cobweb like" feeling i would like to achieve. The second photo is also by Joyce Tenneson and the ethereal feeling is so strong, and i love the way the gauze wrap is so delicate and also shows what i mean by "cobweb like".<img id="BLOGGER_PHOTO_ID_5091525015656115954" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7kppnwZFIeRLNo6hbow2uXo-MAYf6E-IV4eRdJzLQT9KGHaUFcN5NXgebWPM2cBN3FeYgHjTpYsSl2MAMMKJoAbJmxLsVYTW5e4MBCTg8booZHmA1eZmZeZv2Hs4pUCVWlCmluxfvL-g/s320/ClematisJoyce+Tenneson.jpg" border="0" /><img id="BLOGGER_PHOTO_ID_5091525019951083266" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinrXNwVt0ZU0K7pObRpkZ7XeAeekMssFtPZTcZg9bYlSRG3iboUEsfaxVLnolC1KznWjp7K0ZwbM2vqaMH2nNRmROhY6n-v4eUoiQqFy7VSleJnsH6TPeLXWiZQjnjw6oBYFSd_wG9U9I/s320/Joyce+Tenneson+4.jpg" border="0" />Thats all for now.Heidi Ortegahttp://www.blogger.com/profile/15427705307734783059noreply@blogger.com1tag:blogger.com,1999:blog-5595224222903884772.post-65938530724799795682007-07-17T23:18:00.000-07:002007-07-17T23:26:30.095-07:00first model pics<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj253-8ANBJFLrKUetOjjVv4TzzE8sJmUwia_YDaz4AfEEs55ucT3-NEbZ8Z8ViaVbnmsQBA6JizfuWb1DQqvOMKls4-jQuI8R-x8oxAqZGbvTa_8T26DjyhTuuvMIVX5-MU31p2VY8ibtL/s1600-h/vos+7.18.07+model+041.jpg"><img id="BLOGGER_PHOTO_ID_5088419059740641938" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj253-8ANBJFLrKUetOjjVv4TzzE8sJmUwia_YDaz4AfEEs55ucT3-NEbZ8Z8ViaVbnmsQBA6JizfuWb1DQqvOMKls4-jQuI8R-x8oxAqZGbvTa_8T26DjyhTuuvMIVX5-MU31p2VY8ibtL/s400/vos+7.18.07+model+041.jpg" border="0" /></a><br /><div>hey all<br /></div><div>heres my model, damn near anything on it is negotiable as far as colors concerning lights costumes and of course the directors. just throwing this out there, id love to hear comments and concerns. my dead line is incredibly close though, so please let me know some time soon, the long er i hold up tim the more pouty he will be. and rightfully so</div><br /><div></div>Brianhttp://www.blogger.com/profile/02157907300679683860noreply@blogger.com0tag:blogger.com,1999:blog-5595224222903884772.post-31951670463897458012007-06-29T15:05:00.001-07:002007-06-29T15:07:12.533-07:00hey issac, im really sorry i havent gotten back to you, my phone is completley trashed. i will have to find eric and see if he has your number, if not is there a way that you could more securely transfer that information. sorry for this confusion, i promise i have not just been ignoring you<br /><br />brianBrianhttp://www.blogger.com/profile/02157907300679683860noreply@blogger.com0tag:blogger.com,1999:blog-5595224222903884772.post-52290500126376234282007-06-18T11:54:00.000-07:002007-06-18T12:30:48.537-07:00a random thoughti dont know EXACTLY how well this willl work but i have an interesting idea. using a fog machine (not haze) placed underneath the deck, and a rosco image-projector, i beleive that we could project an image onto a plume of smoke. this would give the effect that an apparition is seemingly appearing out of nowhere. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVEWxGM1M3aNw7qlm9YD3Y9ykl6UoRd65HTU5d-1-EA575Y7klRXupO2zW9s9jr80UlPv1-YpHtBJeZMj_IqN33TDd4y64B0OXxWnUkeuh7wQ0Pp3FimU4zZiQAuafdboxo1EJwu_lhMck/s1600-h/56.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVEWxGM1M3aNw7qlm9YD3Y9ykl6UoRd65HTU5d-1-EA575Y7klRXupO2zW9s9jr80UlPv1-YpHtBJeZMj_IqN33TDd4y64B0OXxWnUkeuh7wQ0Pp3FimU4zZiQAuafdboxo1EJwu_lhMck/s200/56.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5077485339572192674" /></a><br />inspiration came from Richter's "perfect medium" in which he captures spirits unseen by the naked eye on film. you can see a compilation of pictures above<br /><br /> any thoughts on when this plan could be best executed within the script Isaac? i could take a picture of one of the actors in a costume, then edit the photo on my computer, print a slide of it and project the image in its exact form onto the plume of fog. what do you think? this would need to be planned in advance. unfortunatly i can not garantee sucess in the project, yet i do feel optimistic.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho6_8LSUuUHx06pewlgxxQmsut7BibdK7B_bzlHdRYG3MyQpEvZJn-s65RKLVDpSFRFFQ7FL3vlpWP13NEP8zQVsXgGmepjBgtdFHfESJFhiUd47RHHsDTIBn9R_uUHRMSR3UusZe0roU3/s1600-h/imagepropanel.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho6_8LSUuUHx06pewlgxxQmsut7BibdK7B_bzlHdRYG3MyQpEvZJn-s65RKLVDpSFRFFQ7FL3vlpWP13NEP8zQVsXgGmepjBgtdFHfESJFhiUd47RHHsDTIBn9R_uUHRMSR3UusZe0roU3/s200/imagepropanel.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5077484824176117122" /></a><br /><br />above is the actual projector. it slides directly into a lighting instrument similar to a gobo (therefore is very versitle in location thoughout the theatre).erichttp://www.blogger.com/profile/11201450647862437288noreply@blogger.com1tag:blogger.com,1999:blog-5595224222903884772.post-83122419264265468242007-06-11T22:50:00.000-07:002007-06-11T23:12:05.465-07:00yell-o<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMlsUDzQvJjFo7d9N0heJC-662WPeeU9ab_NMnBhZO2lXyZao_4ylzAek3izUT8X2V7NYVHx2wUzPOt0CSQOwmnMdCR4mtP_xRkA3Rc_tzBN5CN0HpX7jBhr86hZYk4bI7OtoDnnL6U6Nr/s1600-h/8135.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMlsUDzQvJjFo7d9N0heJC-662WPeeU9ab_NMnBhZO2lXyZao_4ylzAek3izUT8X2V7NYVHx2wUzPOt0CSQOwmnMdCR4mtP_xRkA3Rc_tzBN5CN0HpX7jBhr86hZYk4bI7OtoDnnL6U6Nr/s400/8135.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5075053310045865330" /></a><br />Apologies for the rare posts. <br /><br />Thank you for all of the inspiration buddy! i really enjoy looking at the work of Gerhard Richter and "the perfect medium" and his blurred photo paintings. as the LD i do beleive that i can begin to capture some of this effect with some sort of diffused haze and tight "cool/bright" specials encased in a warm "bubble". a key element in getting this effect comes with the actual tone of the actor or costume. if you notice in the above painting by richter the character is very pale and in so illuminating more so. is there a way to make an actor reflective is this regard, yet still dull and dead? <br /><br />my hope is to have the haze exhaust from under the prososed planking allowing the aura to build around the actor out, rather than from the instrument out. does this make sense? the sepia-tone should be no problem to acheive with gel. maybe a tea-stained-like style could be applied to other mediums. <br /><br />in order to capture the feel of theatre in this era i hope to have gas-colored footlighting. this color with possible mixing could really add interesting angles. <br /><br />a thought i had is to project through the planking of the set or with the footlights the shadows of the actors onto the back wall. i think this effect with give the actor a greater pressence in the space. a pressence not possible by a mortal but maybe by a spirit or ghost. <br /><br />please excuse the lack of clarity i thought i should purge ideas onto the blog after a long day. response more than welcomed.erichttp://www.blogger.com/profile/11201450647862437288noreply@blogger.com2tag:blogger.com,1999:blog-5595224222903884772.post-11015648090474374292007-05-18T08:30:00.000-07:002007-05-18T08:42:21.487-07:00Nice to Get StartedHey everyone,<br /><br />It's nice to see you all posting away. Just one quick blog maintenance thing... Don't post your personal info on the blog, anyone can read it. Eric, I took your phone number off your post, just so's you know... anyway... on with the play itself.<br /><br />I'm glad, Brian, that <a href="http://en.wikipedia.org/wiki/Anselm_Kiefer">Anselm Kiefer</a> really spoke to you. The more I read about him + his fascinations with texture and mysticism the more right-on I think he is. The other artists I've been looking at are <a href="http://en.wikipedia.org/wiki/Francis_Bacon_%28painter%29">Francis Bacon</a> and <a href="http://en.wikipedia.org/wiki/Gerhard_Richter">Gerhard Richter</a>. I've also been reading/looking at the book <a href="http://yalepress.yale.edu/yupbooks/book.asp?isbn=0300111363">The Perfect Medium</a> a catalogue and analysis of 19th Century Spirit Photography.<br /><br />I want to try to draw some links between these different things. First, the Francis Bacon. I think with Francis Bacon, what I'm drawn to is the <i>attitude</i> behind the art rather than specific images vis-a-vis this play. Bacon said of his own work that "I would like my pictures to look as if a human being had passed between them, like a snail, leaving a trail of a human prsence and memory trace of past events, as the snail leaves its slime". J.G. Ballard (who wrote <i>Empire of the Sun</i> amongst others) said of Bacon (whom he was friends with) something along the lines of <i>Bacon's paintings are like the dead trying to draw what they looked like when they were alive</i>. This quote speaks to me of what the characters themselves are doing in this play.<br /><br />Kiefer I think speaks for itself. The rough textures, the mystical symbols, the way it draws on the more occultish ends of Judaism etc. Also, the moments of beauty. There's a painting of his that has his trademark rough-hewn textures all over the canvas, and then at the top, one lone white feather. This play is full of those moments.<br /><br />The Richter and the spirit photography speak to a very specific thing to me, and trying to find the theatrical equivolent is gonna be tough, but I think is part of our jobs... it's the blurryness of it. When ghosts appear on photos, they're orbs of light. When they appear in the spirit photos, they're bits of ecoplasm, or sometimes super-imposed images. Here-yet-not-here. The same sensibility invades <a href="http://www.baader-meinhof.com/special/RichterExhibit.htm">blurred photo paintings</a>">the Richter blurred photos as well. You get the sense of a person, yet they're not really there. How do we do this on stage? (Besides using <a href="http://en.wikipedia.org/wiki/Pepper%27s_ghost">Pepper's Ghost</a>, of course). Also, the sepia color of the old photographs really speaks to me. Is there any way to make these people somehow old photographs of themselves but come to life?<br /><br />Anyway... check out these artists and let me know what you guys think.<br /><br />Also... any visuals that I should be looking at?parabasishttp://www.blogger.com/profile/12476856869466695694noreply@blogger.com1tag:blogger.com,1999:blog-5595224222903884772.post-40788147567070131832007-05-17T15:51:00.000-07:002007-05-18T08:30:07.279-07:00howdyhello all,<br /> please excuse the long wait on my reply to this blog but i have not been able to find any internet connections down here in daytona untill now. i am very excited that this blog is in existance (though i am not an avid blogger myself) i think it is a great way for us to keep in contact. i am really happy to see all the direction that has already occured. thank you issac for your regurgitation of the script. brian, as you know i was feeling the same about shining up through the cracks...especially in the scene with the actor wherein he speaks about the creaks (sp?) in the floor. i really like the back wall idea too...with a lot of textures i assume?<br /> some of my thoughts with this show include a different angles than most of us are used to at VCU. i am feeling very low sides ...maybe even from onstage?...footlights with period gas color aswell as some LEDs maybe to incorporate some pretty color mixing in the more abstract moments. possible some moments with pointalism and color mixing to acheive the many tones of fire. as you are aware, the lines in the show could be roughly gathered into 5-10 different levels of "lucidity". one of my main concepts so far is to portray what the actor is seeing, feeling, and thinking in reference to the text. the key is delicacy. think of it as the stages of a dream in which you are barely asleep and can sense the "real world" all the way into full lucid dream in which you are completely aware that you are dreaming yet you wouldnt be able to tell the difference between "real life" and "what you are living"....does this make any sense???...call me if it doesnt ....anywho....i think there is a lot of potential for this show and very little boundries. let me know what you think.erichttp://www.blogger.com/profile/11201450647862437288noreply@blogger.com0tag:blogger.com,1999:blog-5595224222903884772.post-83813381567102213692007-05-15T15:38:00.000-07:002007-05-15T15:46:37.962-07:00hey all<br />were all finally getting settled in in daytona, eric will most likely be posting soon. anyway, i wanted to say that i am really excited also about the ghost story idea. another thing that really made me happy was seeing the blog about the nautical terms. persoanlly i would love to implement something to accentuate a nautical feeling. i was thinking about a planked raised deck. theatres use boards too but maybe varying sizes or sizes gradually getting bigger the further upstage. but most importantly i think it owuld be amazing to keep cracks between the boards so eric can do whatever he wants under that deck. anything from a fire effect, a water effect, smoke. i think to hear a wicked sound effect of a big fire, with an amazing fire effect through the cracks of boards would just be intense. none of this i really have my heart set on, just getting excited i guess. this picture of bricks and pinrail really interests me. it looks ababndoned and a little scary to me. i love it. maybe a back wall?<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNXThaHHcCukmn_kS-6KxlJpr80vDdU8cA8-iprBkBaPOhdwbDw0HrwzDjC0UHdMlqBSvZ-VzXRizcwwZ7aHh35Vs3r78MnJ3Gb7TNV6nB9i-QBLuWzDX26Z468O3DFl56LmBOO31IV56r/s1600-h/Ropes.gif"><img id="BLOGGER_PHOTO_ID_5064922277342418370" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNXThaHHcCukmn_kS-6KxlJpr80vDdU8cA8-iprBkBaPOhdwbDw0HrwzDjC0UHdMlqBSvZ-VzXRizcwwZ7aHh35Vs3r78MnJ3Gb7TNV6nB9i-QBLuWzDX26Z468O3DFl56LmBOO31IV56r/s320/Ropes.gif" border="0" /></a><br /><div>anyway one last thing, anselm keifer really interested me. isaac suggested him. very cool very textural. i'll try to find a picture of one of his works that is really scary. </div><div> </div><div>peace</div>Brianhttp://www.blogger.com/profile/02157907300679683860noreply@blogger.com0tag:blogger.com,1999:blog-5595224222903884772.post-48788369904156084862007-05-15T06:07:00.000-07:002007-05-15T06:17:18.918-07:00Here come the COSTUMES!!!!Hello, Heidi here, this will be my first ever blog attempt - any helpful suggestions are VERY welcome!!! I just wanted to say hello - sorry I couldnt get into town during auditions... Isaac, I look forward to meeting you in person.<br /><br />Can I say I am really excited about the ghost story idea??? I have not seen most of the movies listed -but they are now at the top of my queue at netflix - how cool is it that my research is watching movies??<br /><br />FYI my asst. designer is Caylin Anderson, a very cool/talented undergrad - I want her to get as much experience as possible with this project so hopefully alot of the ideas will come from her brain - and between the two of us we will have some kick-ass costumes!!<br /><br />Later...Heidi Ortegahttp://www.blogger.com/profile/15427705307734783059noreply@blogger.com0tag:blogger.com,1999:blog-5595224222903884772.post-18306846217580052072007-05-13T14:27:00.000-07:002007-05-13T14:31:53.464-07:00Hey there, guys...Not being much of a blogger, myself -- I may stay a bit behind the curtain on this one, gang. But, in the spirit of contributing, I figured I'd say hello and welcome as well to this blog. My name's Clay McLeod Chapman... and I'm the writer of Volume of Smoke. I'll also be co-directing the show with Isaac down in Virginia. My main goal for this production will be to tackle character work with all the cast members, as well as figuring out how to fill the Hodges theatre with our intimate lil' play.<br /><br />Beyond the list of ghost movies -- for the cast, I'd like to strongly encourage you all to pick up Edgar Lee Masters' "Spoon River Anthology" this summer and flip through. This may speak volumes about me -- but it's one of my favorite books and served as a guiding force for "Smoke." All of which will become abundantly clear with one simple perusal. Not to mention prove once and for all that I am in fact a complete dweeb.<br /><br />H.A.G.S.claymcleodhttp://www.blogger.com/profile/01994103902961265815noreply@blogger.com0tag:blogger.com,1999:blog-5595224222903884772.post-85557887266768575952007-05-12T08:09:00.000-07:002007-05-12T08:12:24.858-07:00Ghost MoviesOne thing Clay and I have been talking about is how we've never really fully explored the ghost-story aspect of <b>volume of smoke</b>. The entire play is, after all, a ghost story-- none of the various narrators are still alive, and they make no bones about telling us, the audience for that evening, their stories. Clay is also a horror movie lover <i>par excellance</i> (I'll even forgive his deep affection for <i>Haute Tension</i>)... So I asked Clay to send me a list of ghost movies he felt were essential.<br /><br />I would second that seeing <b>Session 9</b> is going to be essential to really delving into this production of the play. I think, anyway.<br /><br />Here's the list:<br /><b>Must-see's</b><br />Session 9<br />The Changeling<br />The Haunting (original: 1963 BW)<br />The Others<br />The Innocents (1961)<br />The Devil's Backbone<br /> <br /><b>If you haven't's</b><br />Don't Look Now<br />The Shining<br />The Sixth Sense<br />Poltergeist<br />The Ring (Japanese version)<br />Ju-on (Japanese version)<br />Dark Water (Japanese version)parabasishttp://www.blogger.com/profile/12476856869466695694noreply@blogger.com1tag:blogger.com,1999:blog-5595224222903884772.post-31550269368403815922007-05-11T12:32:00.000-07:002007-05-11T12:37:59.062-07:00Volume of Smoke SoundsFirst of all, <a href="http://ghostlight.vox.com/library/audio/6a00c225212c34f21900c22526fc24549d.html">here is a link</a> to the song Clay listened to while writing the play, The Decemberists <b>Shanty for the Aretheusa</b>.<br /><br />Second, here's a list of all the sounds I could find in the text:<br /><br />Fibers flexing under the backdrops weight<br />Twisting sound, "all high-pitched and leathery"<br /><br />Actors speaking lines<br />THE HOUSE IS ON FIRE!<br /><br />Whoosh<br />Clapping<br /><br />Ear piercing screech<br />A cat on fire<br />Seat sqeaking and shrieking<br /><br />Rustly of playbills<br />Murmer of the audience<br />Whispering<br />Standing ovation<br />Cry of FIRE<br />Yelling and Screaming<br /><br />Curls Crackling<br />Snap of riibs<br />Whinnying pony<br /><br />Crying women<br />Women singing<br /><br />Music<br />Burning paper<br />Burning woodwind<br />Burning harp (+ strings)<br />Fire = music<br /><br />Creaking floorboards<br />The sound of the stage<br />the sound of ghosts<br /><br />Breathing<br /><br />Plummeting bodies + their impact<br />Kettle drum<br />Fire harmony<br /><br />Storm<br />screaming, shouting<br />Distant screaming<br />shattering glass<br /><br />Coughing, spitting<br />tissues crackling<br />"crepitant"<br /><br />Gummy words<br />The sound of a dead play ("Cobwebs connecting the sentences together")<br /><br />Sighing<br />Clock striking midnight<br />Clok striking One AM<br /><br />Children Whispering<br /><br />Mosquitos<br />Flies buzzingparabasishttp://www.blogger.com/profile/12476856869466695694noreply@blogger.com0tag:blogger.com,1999:blog-5595224222903884772.post-78733191537507046952007-05-07T11:26:00.000-07:002007-05-07T11:40:50.230-07:00A List Of Every Single Image I Could Find in volume of smokeA monster seated in the heart<br />Bones of a carcass pecked clean of its meat<br /><br />Purple sunsets<br />Skies painted with the whitest of clouds<br />Nightscapes<br />Snow capped mountains<br />Rolling oceans<br />Old fashioned stage backdrops<br />Hemp ropes<br />Sales<br />Schooner<br />Sunset<br />Mountains<br />Canvas<br />Scarred hands<br />Splinters of rope<br />a curtain<br />Ocean of rolling heads<br /><br />The sprit of Shakespeare<br />Possession by ghosts<br />Dousing a man on fire w/ water<br />Lines performed by 100s of actors<br />Burning theater<br />Burning Curtain<br /><br />Chandelier (what kind did they use?)<br />Glow with stray flicker of light<br />Candles<br />Pulley<br />Varnish<br />Laquer<br />Morning sky<br />Tapestry catching on fire<br />Flames rising<br />Litany of backdrops: skies, sunsets, daybreaks, rolling ocreans, streetfronts, mountains, houses, living rooms, chruches, clifftops, roof tops, starry skies, clouds, snow, lightning bolts, tidalwaves, temples, bedrooms, cityscapes<br />35 tapestries (Why are they called tapestries?)<br />Hanging<br />Building flames Hiding<br />Panicked audience<br />stampeding<br />standing ovations<br /><br />A bent back<br />A hunchback<br />wood armrest, cast iron body<br />Movement of sitting person<br />Multiple people moving at once<br /><br />"best" seats, front an dcenter<br />Orchestra<br />stage<br />balcony<br />audience melting<br />blindfolded wife<br />removing a blindfold<br />oil lamps, falling to the floor<br />kerosene bursting<br />kiss<br />standing ovation<br />flames enveloping the proscenium<br />cattle being corralled<br />Stream of people<br />Sitting and watching fire<br />People racing, yelling + screaming<br />The view<br />Curtain dropped<br />Swelling bright light<br />"flames ate through"<br /><br />Fresh air<br />lungs<br />floor<br />feet<br />eyes<br />smoke<br />piggy back<br />head in the clouds<br /><br />Child @ mirror w/ mother behind<br />curling hair procedural<br />fire spreading over body<br />head burning<br />Child kicking chair<br />child laughing<br />child being punished<br />broken dam<br />drowning in people<br />being stepped on<br />bird flapping<br />pony whinnying up<br />a child too small for her dress<br /><br />soft floor<br />blindness<br />climbing over people<br />trampling<br />smoke<br />climbing<br />women crying/singing<br />turning the tides<br />salmon swimming upstream<br /><br />fire burning all musicians<br />people buried<br />kids spitting<br />sticky paper<br />sheet music bruning<br />fire eating<br />flames reading sheet music<br />fire burning muscial instruments<br />fire playing music<br /><br />creaky floorboard<br />worn wood<br />actor alone, wandering stage<br />ghosts of actors<br />ghosts living in theater<br /><br />desserts: chocolate mousse, coffee pudding, pecan tart, apple dumplings<br />escaping a building<br /><br />burning hallway<br />people jumping<br />broken people<br />destroyed french horn<br /><br />pigeons<br />burning pigeons<br />smoke spiriting up<br />umbrella w/o webbing<br /><br />slave ship<br />over a hundered slaves<br />pregnant woman<br />storm<br />giving birth (in the ocean)<br />blue baby<br />jumping women<br />shattering glass<br />catching women<br />shackled to chosts<br />haunting<br /><br />Bones of many different quantities<br />piles of bones<br />adam and eve<br /><br />Mass of burned bodies<br />cold, stiff bodies<br />badly burned bodies<br /><br />A narrow audience aisle<br />Unplastered roof<br />stars in the sky "framed in flames"<br />Flimsy staircase<br />Pile of people<br />monumental church<br /><br />Unknown bones<br />cemetary<br />mass grave<br />orchestra pit<br /><br />Chimneys<br />stove pipes<br />ash<br />phlegm<br />spit<br />drowning<br />babies<br />burning lungs<br />cigarette smoking<br />our bodies are burning playhouses<br /><br />dead play<br />ghouls<br />the devil<br />zombies<br /><br />turrets<br />a warrior<br />clock<br />lady fair<br />old Ellinore<br />the bleeding nun (description of)<br />horse<br /><br />burning theater<br />stage blood <br />woman wandering desperately<br />ghost<br />"i dress in weeds"<br />the bleeding nun<br /><br />hell on earth<br />Job<br /><br />Churches collapsing<br />the earth burning up<br />heaven<br /><br />mosquitos<br />malaria<br />yellow fever<br />bibles as flies<br />ahses<br />cooling cinders<br /><br />a person on fire<br />a person with the holy spirit<br />dancing (x 2)<br />ripeness<br />people in mourning<br />bag of tricks<br />reverent as actor<br /><br />raw materials<br />church running in circles<br />candle<br />god in the flame<br />stage<br />bones<br /><br />lots of theaters burning<br />people dying<br />weeping<br />beseeching the almighty<br />city burning down<br />---<br /><br />So my thought is that other than fire imagery (which is pretty clearly going to be present in a play about fire) I notice a lot of nautical imagery, a lot of animal (particularly bird) imagery, and a lot of human anatomy imagery.parabasishttp://www.blogger.com/profile/12476856869466695694noreply@blogger.com3tag:blogger.com,1999:blog-5595224222903884772.post-91095604578018970902007-05-07T11:22:00.000-07:002007-05-07T11:24:58.527-07:00An IntroductionThis blog is meant to be a public clearing house for information about plays I'm directing. The current project I am working on is <b>volume of smoke</b>, being performed at Virginia Commonwealth University this Fall. Over the next few months, the designers and I are going to post our research, lists etc. here on the blog. Hopefully, once rehearsals start, I'll also start posting some reflections on how the rehearsal process is going. <br /><br />For the time being, the authors of this blog will be myself and the designers on <b>volume of smoke</b>. After VOS is done, it will be myself and the designers for... whatever the next show is. Assuming they want to participate, of course.<br /><br />Hope you enjoy!parabasishttp://www.blogger.com/profile/12476856869466695694noreply@blogger.com0